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Tribute to the greatest filmmaker of all time

Stanley Jordan plays "Autumn Leaves" accompanied by Charnett Moffett on double bass and Tommy Campbell on drums. Please keep your comments clean and respectful -- make no attacks on the artist or commentators -- or I will delete them and may block you.

Stanley Clarke http://www.stanleyclarke.com, Marcus Miller http://www.marcusmiller.com and Victor Wooten http://www.victorwooten.com from Bass Player Live NYC, http://www.BassPlayer.tv and http://www.TrueFire.com

Stanley Jordan covers Jimmy Page's guitar classic. Please keep your comments clean and respectful -- make no attacks on the artist or commentators -- or I will delete them and may block you.

Stanley Jordan covers The Beatles' classic "Eleanor Rigby." Please keep your comments clean and respectful -- make no attacks on the artist or commentators -- or I will delete them and may block you.

Eric Schmidt talks about YouTube, cloud computing, targeted advertising, search, and other topics at Morgan Stanley's Technology Conference in San Francisco on March 5, 2007.

Compilation stanley mathew, visit please Tvfutbol.net,fbtz.com!

First Meyer footage of car running on water HHO alone.

Great solo on upright bass by Stanley Clarke.

Mogwai "Stanley Kubrick"

Per-Olov Kindgren plays Cavatina by Stanley Myers. It's the Theme from the movie "The Deer Hunter" My compositions and arrangements can be purchased/downloaded at http://per-olovkindgren.com now!

Brian Atene comes out of hiding to respond to his audition tape of 1984 for the lead in Stanley Kubrik's FULL METAL JACKET.

Some of the best groove you will ever hear.

Google Tech Talks December, 11 2007 ABSTRACT As part of our SciFoo Campers @Google Tech Talk series, acclaimed author Kim Stanley Robinson will share his thoughts on climate change in what promises to be an insightful and provocative hour. The recent IPCC and UN reports on climate change make it clear that we face an imminent environmental crisis, and that there is an urgent need to decarbonize our civilization as rapidly as possible. Robinson will discuss strategies for accomplishing this, focusing on social questions, cleaner energy and transport, mission architectures, possibilities of geo-engineering, and the important role that Google can have in all these as world leader in information technologies. As in his novels, Robinson will attempt to synthesize the Big Picture while also making specific suggestions for action now. Speaker: Kim Stanley Robinson Kim Stanley Robinson is a Californian science fiction writer best known for his Mars trilogy, Red Mars, Green Mars, and Blue Mars. He has recently published the last volume of his Climate Trilogy, Forty Signs of Rain, Fifty Degrees Below, and Sixty Days and Counting. He is two-time winner of both the Nebula and the Hugo Awards, and was selected by the U.S. National Science Foundation to go to Antarctica as part of its Antarctic Artists and Writers Program, which resulted in his novel Antarctica, a precursor to his Climate Trilogy. He lives in Davis, and has enjoyed a couple of previous visits to the Googleplex.

Taken from the Rite of Strings live at Montreaux 1994. Just another reason to worship Stanley Clarke Edit:01/05/2007 Perhaps I should also mention the section at the beginning and throughout the rest of the performance is borrowed from his Spanish Phases for Strings and Bass from his self-titled album

http://www.marinoshop.com.br - Stanley Jordan (July 31, 1959— ) is an American jazz/jazz fusion guitarist, best known for his development of the touch technique for playing guitar. He was born in Chicago, Illinois. He received an A.B. in music from Princeton University in 1981. Normally, a guitarist must use two hands to play each note. One hand presses down a guitar string behind a chosen fret to prepare the note, and the other hand either plucks or strums the string to play that note. Jordan's touch technique is an advanced form of two-handed tapping. The guitarist produces a note using only one finger by quickly tapping (or "hammering") his finger down behind the appropriate fret. The force of impact causes the string to vibrate enough to immediately sound the note, and Jordan executes tapping with both hands, and with more legato than is normally associated with guitar tapping. The note's volume can be controlled by varying the force of impact: tapping with greater force produces a louder note.A helpful analogy to visualize this technique is the distinction between a harpsichord and a piano. A harpsichord produces sound by plucking its strings, and a piano produces sound by striking its strings with tiny hammers. However, while notes produced on a harpsichord or piano sustain after the hammer has struck or the pick has plucked, fingers must remain on a tapped note in order for the sound to continue. This similarity is what led Jordan to attempt such a technique in the first place;[citation needed] he was a classically trained pianist before playing guitar and wanted greater freedom in voicing chords on his guitar. While the above analogy may have been Jordan's inspiration to employ a tapping technique, it is not a sound analogy. A piano's hammer leaves the string after hitting it, like a guitarist's pick would normally do. A more helpful analogy would be that of a clavichord; when a clavichord tangent (hammer) hits the string, it remains in contact with the string as long as the key is held, acting as both like a guitar pick (the initiator of the sound) and a finger on a fret (becoming the clavichord's nut). The guitar tapping technique thus is almost identical to the method that clavichords have used for hundreds of years, with the guitarist's finger taking on the role of the tangent. Jordan's two-handed tapping allows the guitarist to play melody and chords simultaneously. It is also possible, as Jordan has demonstrated, to play simultaneously on two different guitars. The technique generally requires a guitar with lower action and lighter-gauge strings. It is very difficult to use on a classical guitar, but possible on a steel string acoustic. The technique is the same as that employed by players of the Chapman Stick which was developed by Emmett Chapman in 1969, and later discovered by Jordan, independently. Jimmie Webster is the earliest guitarist known to have tapped on strings seriously[citation needed], but he didn't use the right hand orientation used by Chapman and Jordan. Their approach allowed for full counterpoint with each hand as an equal element. Other guitarists have employed similar methods of playing at times, using the more conventional hand angles used by Webster: rock guitarists (though the emphasis tends to be on very fast lead guitar playing rather than polyphony) such as Steve Hackett, Eddie Van Halen, Steve Vai, Randy Rhoads, and Joe Satriani, and many acoustic guitarists following the lead of Michael Hedges and employing two-handed tapping to play rich, percussive pieces (Clive Carroll, Preston Reed, and Justin King are examples). Jazz-funk guitarist Charlie Hunter employs a similar technique using a custom-made 8-string guitar on which he simultaneously plays basslines, chords and melodies. Another feature of Jordan's playing is the tuning he uses: from bass to treble EADGCF (all in fourths as on the Chapman Stick, compared with the standard EADGBE). So the patterns for chords are the same wherever they are played on the fretboard. Jordan was the first artist to be signed by Bruce Lundvall when the latter became president of Blue Note Records in 1985 and, consequently, Magic Touch was the first release (not reissue) of the rejuvenated label. Jordan is currently a resident of Sedona, Arizona, where he owns Sedona Books and Music. He attends Arizona State University, working toward a master's degree in music therapy.

Martin Scorcese, Filmmaker; Christiane Kubrick, Stanely Kubrick's Widow; Jan Harlan, Producer; 1 montage and 2 clips from "Stanley Kubrick: A Life In Pictures" [Warner Brothers]; 1 clip from "Paths of Glory" [United Artists]; 2 clips from "2001: A Space Odyssey" [MGM]; 2 clips from "The Shining" [Warner Brothers]; 1 clip from "Eyes Wide Shut" [Warner Brothers]

Stanley Jordan performs the blues standard "Willow Weep for Me." Please keep your comments clean and respectful -- make no attacks on the artist or commentators -- or I will delete them and may block you.

Music video by Paul Stanley performing Strutter: 2006/Live At the House Of Blues (C) 2008 Paul Stanley Music Ltd. under exclusive license to Universal Music Enterprises, a Division of UMG Recordings, Inc.

Jon Ronson looks through thousands of archive boxes belonging to legendary filmmaker Stanley Kubrick

Paul Stanley gets mad at a laser playing idiot

Pierre Coffin's adorable Pat & Stanley sing "The Lion Sleeps Tonight" (by The Tokens)

Stanley Jordan plays his version of "Cousin Mary." Please keep your comments clean and respectful -- make no attacks on the artist or commentators -- or I will delete them and may block you.

An in-depth analysis of Stanley Kubrick's distinctive artistic style and method, as observed by some of his actors and fellow directors - including Tom Cruise, Nicole Kidman, and Steven Spielberg. Originally part of an hour long documentary broadcast on Channel Four in the UK in 1999 to celebrate the release of his final masterpiece, Eyes Wide Shut

From Live At Montreux, a 1994 concert with Jean-Luc Ponty and Al DiMeola. Clarke is one of the most accomplished technical virtuosos on upright bass, with a totally unique style. I ripped this solo from a DVD I own. See more videos on my website at http://www.penceland.com/music.html#videos